tag:blogger.com,1999:blog-16141591252246781902024-03-13T23:03:42.343-07:00Just EadythI'm a master of procrastination! One day I might even finish something!Eadyth Woderosehttp://www.blogger.com/profile/09182257260696615323noreply@blogger.comBlogger6125tag:blogger.com,1999:blog-1614159125224678190.post-67186583580100305022019-08-16T11:45:00.002-07:002021-03-29T18:56:13.733-07:00SCA Curriculum Vitae<div>
A brief CV/resume of my SCA accomplishments, to be updated as they occur.</div>
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<b><br /></b></div>
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<b>EVENTS WORKED:</b></div>
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Assistant A+S Competition/Display Coordinator - Ruby Joust V - May 2016<br />
Chatelaine/Newcomer's Point - Caer Mear Midsummer Fair - June 2017</div>
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A+S Competition/Display Coordinator - Ruby Joust VII - May 2018<br />
Assistant Head Retainer for Dietrich II + Una I - Pennsic War - August 2018<br />
A+S Competition/Display Coordinator - Caer Mear Yule - December 2018<br />
A+S Competition/Display Coordinator - Ruby Joust VIII - May 2019<br />
A+S Competition/Display Coordinator - 100th Monthly Cross + Lily Tournament - August 2019<br />
A+S Consultant and Judge - Rip Rap War - September 2019<br />
A+S Competition/Display Coordinator - Caer Mear Yule - December 2019<br />
A+S Competition/Display Coordinator - Caer Mear Baronial Birthday - March 2020 (cancelled due to COVID)<br />
A+S Competition/Display Coordinator - Ruby Joust VIV - May 2020 (cancelled due to COVID)</div>
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<b>POSITIONS HELD:</b></div>
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Deputy Chatelaine - Barony of Caer Mear - ___ to Fall 2017</div>
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Baronial Minister of Arts and Sciences - Barony of Caer Mear - Fall 2017 to current<br />
Caer Mear Baronial A+S Champion - May 2019 to March 2021<br />
Northern Regional Kingdom Minister of Arts and Sciences - January 2020 to current</div>
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<br /></div>
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<div>
<b>CLASSES TAUGHT:</b></div>
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How to Make Tassels - Caer Mear Baronial Meeting - June 2016<br />
Braided Hairstyles of the 14th Century - Fall University 2017</div>
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It's All Good In The Hood: Drafting a 14th Century Closed Hood - Summer University 2019<br />
Quick and Dirty Roman Garb - Caer Mear Baronial Meeting - June 2019 (with Ginevra Fiammetta di Silvestri)<br />
It's All Good In The Hood - Caer Mear Baronial Meeting - August 2019<br />
It's All Good In The Hood - Winter University - February 2020<br />
Fantastic Hoods and Who Would Wear Them - (in the works)<br />
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<b>AWARDS:</b></div>
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Award of Arms - Storvik Novice - 7/9/2016</div>
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Court Baroness - Ruby Joust VI - 5/27/2017</div>
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Grant of Arms - Ruby Joust VI - 5/27/2017</div>
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Augmentation of Arms (golden scissors) - Ruby Joust VI - 5/27/2017</div>
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Companion of La Bris de Mer (Caer Mear) - Yule - 12/9/2017</div>
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Companion of the Coral Branch - Ruby Joust VII - 5/26/2018</div>
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Award of the Fountain - Pennsic XLVII - 8/7/2018</div><div>Companion of the Order of the Pearl - KASF (virtual) - 3/6/2021</div>
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<a href="http://op.atlantia.sca.org/op_ind.php?atlantian_id=8821">Eadyth Woderose in Atlantian Order of Precedence</a></div>
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Eadyth Woderosehttp://www.blogger.com/profile/09182257260696615323noreply@blogger.com0tag:blogger.com,1999:blog-1614159125224678190.post-51215255800920136932019-06-17T12:17:00.001-07:002019-06-17T12:31:24.657-07:00It's All Good In The Hood: Drafting a 14th Century Closed Hood (Summer University 2019)If you know me, you probably know I love hoods. They're probably my favorite thing to make and one of the most useful articles of clothing you can own in the SCA.<br />
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Before my first event way back when, I stayed up til 4am making myself a dress. I took along a Skoldehjamn hood I had made at one of the baronial meetings just in case, even though I thought that with the extra fabric I would be hot. I genuinely could not think of a reason to wear that thing. At the event, I wore it all day. A single layer of linen kept the sun off my face and didn't make me too overheated. I was a hood convert.<br />
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The very next thing I made was a fully handsewn hood based on the <a href="https://katafalk.wordpress.com/2013/06/11/buttoned-and-lined-liripipe/">pattern by Katafalk</a>. It was meant to have buttons but never quite ended up with them...even so, it sent me down a rabbit hole of creating hoods of all sorts.<br />
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Fast forward to last weekend at Juniversity: I taught a class on how to draft and put together a hood based on your own personal measurements. I had friends with smaller heads and with larger heads who weren't able to fit into "off the rack" hoods or hood patterns and it was their problem that inspired me to create this class, because, honestly, everyone needs a hood.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi51BHE3m9QWuvf6Uem-1ibZYVzxKLh7M6HNXWtsb8O6rLFD15MBhQePYf2_D_qBCWag-aC1JXZo3wRLKomeZ6phlIO2K6-gd_B4etMn-TuL8frhP5fyJrciA1tgPWdfp4ruhOH4bZsydA/s1600/HOOD+PATTERN.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1150" data-original-width="1404" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi51BHE3m9QWuvf6Uem-1ibZYVzxKLh7M6HNXWtsb8O6rLFD15MBhQePYf2_D_qBCWag-aC1JXZo3wRLKomeZ6phlIO2K6-gd_B4etMn-TuL8frhP5fyJrciA1tgPWdfp4ruhOH4bZsydA/s320/HOOD+PATTERN.png" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">My basic pattern</td></tr>
</tbody></table>
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<br />
Handout Link: <a href="https://drive.google.com/file/d/1pm7uXoD_BOim9dRdtwcufch7ygzfABwF/view?usp=sharing">It's All Good In The Hood: Drafting a 14th Century Closed Hood</a><br />
<br />
Above is linked the PDF of my class handout. It has diagrams and instructions to create a basic 14th century hood that pulls on over the head, with or without a liripipe. I included bonus tips on how to <br />
"raise the level" of your hood by cutting dags, adding a button closure, or embroidering an historically correct design on it. I would like to have a step by step guide with either photos or illustrations demonstrating how exactly to draft the pattern and to assemble the hood, but that is for another day.<br />
<br />
Please enjoy the pattern and handout and let me know if you have any questions. I am very happy to give advice or insight! Feel free to contact me via my email eadythwoderose@gmail.com!Eadyth Woderosehttp://www.blogger.com/profile/09182257260696615323noreply@blogger.com0tag:blogger.com,1999:blog-1614159125224678190.post-55439738979915083062018-05-21T18:40:00.002-07:002018-05-21T18:44:03.876-07:00Embroidered Panel for an Alms Purse of the Late 14th century<br />
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Boy its been a loooong time since I last posted in here!</div>
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Here is my documentation for my latest project which I have been working on for 75 hours spread out over about a month! Its a project I have wanted to do for a looooong time. I finally decided to sit down and get it done to enter in the Tempore Atlantia at Spring Crown Tourney!<br />
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Eventually I will make this into a proper pouch. I am already making up the tassels (all covered in gold!) and I have bought the most delightful <a href="https://www.renaissancefabrics.net/product/red-currant-silk-taffeta/">silk</a> to make the backing and the lining. Hopefully I will have this done by Ruby Joust!</div>
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*****</div>
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<b style="mso-bidi-font-weight: normal;"><span style="mso-no-proof: yes;">Background: Extant Purses and the Danse
Macabre</span></b></div>
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<span style="text-indent: 0.5in;">Alms purses
(also known in French as aumoni</span><span style="text-indent: 0.5in;">è</span><span style="text-indent: 0.5in;">res) were a type of decorative pouch
worn by both men and women throughout the fourteenth century. Elaborate pouches
and girdles and other accessories to be worn on the body were common gifts to
be exchanged between lovers (Camille 53). It makes sense that a popular scene to
decorate these purses would be scenes of lovers. There are examples stretching
back to the twelfth century, though the surviving examples seem to be most commonly
from the fourteenth century. There are two styles that are common: a sort of
trapezoid shape with a flap to cover the opening and a simple square or
rectangular drawstring pouch. The rectangular pouch, as shown in Figure 1, is
what I chose to recreate.</span><span style="text-indent: 0.5in;"> This style of pouch
generally features a pair of central figures and minimal background details
along with a band at top for the drawstring and many tassels around the sides
and bottom.</span></div>
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<span style="font-size: xx-small;">Figure <!--[if supportFields]><span style='mso-element:
field-begin'></span><span style='mso-spacerun:yes'> </span>SEQ Figure \* ARABIC
<span style='mso-element:field-separator'></span><![endif]-->1<!--[if supportFields]><span style='mso-no-proof:
yes'><span style='mso-element:field-end'></span></span><![endif]-->:
Embroidered French Alms Purse, 1340s located in the Museum fuer Kunst und
Gewerbe, Hamburg</span></div>
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<span style="text-indent: 0.5in;">Between the near-constant
warfare, famine, and the Black Death, the late fourteenth century was not a
pleasant place to be. The Danse Macabre was a theme in artwork that grew out of
this omnipresence of death, depicting skeletons dancing with people from every walk
of life from a child to a king to the Pope. It was meant to remind people to
repent for their sins and not to live wickedly as death was around every corner
and could come for someone at any time, any age, and any station in life (see
the article on the Three Living and the Three Dead).</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV-6BqbNX0FJ-UUWJsaMUuGmED4mF4oXRaOScaLQbI8Uc5ldQdQ8b98abEEZsi4x_SS4D39aeKh1etbNjfhdArJkksyBnSnoGQ_Z2K9n9uCCez7gM4zaLmBfbuYvB-UFcolO6U_hK6hhI/s1600/3liv3ded.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-size: xx-small;"><img border="0" data-original-height="298" data-original-width="500" height="190" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiV-6BqbNX0FJ-UUWJsaMUuGmED4mF4oXRaOScaLQbI8Uc5ldQdQ8b98abEEZsi4x_SS4D39aeKh1etbNjfhdArJkksyBnSnoGQ_Z2K9n9uCCez7gM4zaLmBfbuYvB-UFcolO6U_hK6hhI/s320/3liv3ded.jpg" width="320" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: xx-small;">Figure 2<span style="font-family: "calibri" , sans-serif; line-height: 107%;">: Three Living and Three Dead, the De Lisle
Psalter, England. 1304-1340</span></span></td></tr>
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<b style="mso-bidi-font-weight: normal;"><br />Designing My Embroidery<o:p></o:p></b></div>
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My piece is an amalgamation of
these two artistic conventions. My embroidered panel has two figures and
minimal background elements (like the above alms purse) but instead of a pair
of lovers, I chose to depict a Danse Macabre scene featuring Death and the
maiden. The scene is a bit autobiographical as I depicted the maiden as myself.
I embroidered long flowing hair, a coronet, and a green kirtle to symbolize
youth and to provide greater contrast with the stark white figure of Death. The
style I used would date the piece to the very end of the 14<sup>th</sup>
century; between 1380 and 1400.<o:p></o:p></div>
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<span style="font-size: xx-small;">Figure <!--[if supportFields]><span style='mso-element:
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<span style='mso-element:field-separator'></span><![endif]-->23Detail of
Death from a 1373-1387 French tapestry in The Bridgeman Art Library</span><o:p></o:p></div>
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<span style="text-align: left;"><br />The extant pouch as seen in
Figure 1, which dates to the 1340s, is embroidered in silk and gold threads on
a linen ground. It measures approximately 6.25 inches by 5.5 inches, being
slightly taller than it is wide. My piece ended up being 6.25 inches by 5.25
inches due to the size of my frame and is worked in DMC cotton thread with
metal-wrapped thread on a linen ground. I made sure to choose colors that are
historically plausible and could have been dyed with materials from the period.
I based the color scheme on manuscripts and tapestries. Note the rich red
background seen in Figure 2 depicting the skeleton on horseback. I have worked
with silk floss in the past and it does perform differently than cotton, but I
chose the DMC thread for economy and durability (I didn’t want to be afraid to
actually use this pouch in my SCA life). The linen is from my stash and is a
little more loosely woven than the linen used in period. Again, the departure
was for economy as I already had this linen.</span></div>
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<span style="text-indent: 0.5in;">The figures and
the vegetation on the extant pouch (Figure 1) are worked in split stitch while
the background consists of surface-couched gold work. More surface couching and
hand bound eyelets make up a band at the top used to hold the drawstrings. I
used the same stitches: split stitch for the figures and the towers and surface
couching for the drawstring panel and the gold threads. Since I did not have as
much gold on hand, I used a background fill technique similar to that shown in the
pouch in Figure 4 in which threads are laid parallel to each other across the
background and then couched down by a grid of crossing parallel stitches
couched in a diamond pattern. Another reason I chose this style of background
fill is that it would put my pouch more firmly in the late 14</span><sup style="text-indent: 0.5in;">th</sup><span style="text-indent: 0.5in;">
century time block that I was aiming for.</span></div>
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<span style="font-size: xx-small;">Figure <!--[if supportFields]><span style='mso-element:
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<span style='mso-element:field-separator'></span><![endif]-->4<!--[if supportFields]><span style='mso-no-proof:
yes'><span style='mso-element:field-end'></span></span><![endif]-->:
Embroidered purse with a dog, 1398, Stadtmuseum of Koln. The background fill
stitch used is similar to the one I chose for my piece.</span></div>
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<b style="mso-bidi-font-weight: normal;">The Process of Stitching the Pouch</b></div>
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The
steps I took to complete this panel began with designing the cartoon or image
from which I would work. I gathered images of skeletons and women in manuscript
illustrations and extant embroidery of the period and eventually designed
something unique. Next, I hemmed my linen and stretched it on the frame that
would hold it taut while I worked on it.</div>
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Then I sketched the design onto
it lightly in pencil. In period, the design might have been transferred by the
prick and pounce method in which the design was drawn on paper and then pricked
with holes, and finally dusted with a fine dark powder such as charcoal,
colored chalk, or graphite to transfer the cartoon. In the 2016 video released
by the Victoria and Albert Museum depicting an artist working a similar style
of embroidery, she then paints over the design in ink since the charcoal may
rub off too easily and the entire ground would be covered in embroidery anyway.
<o:p></o:p></div>
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The order in which I completed
the embroidery was: maiden, skeleton, towers, red background, brown background,
tawny drawstring band, the eyelets, and lastly the gold couching. I chose to
put gold on the coronet and belt as fill because I had never worked with it
before and was curious as to how it would work. As I looked more closely at the
extant, I noticed that there is also gold couched along the hem of the woman’s
gown. I decided that more gold is always a great idea and applied it to the hem
of the gown as well.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcPEWTSkrfgFwZqAuERbXtds3tD9sg-CVxmoaA8md6c9bjnCaK2fBxPI82agPBhay1s3HT7pYFHob9WRiE_A76nWwzTvnTOneEaB-KqUcgXx-eamsH4vCJto91neL-AtJdOJo5qoM9TTM/s1600/towers.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="796" data-original-width="450" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcPEWTSkrfgFwZqAuERbXtds3tD9sg-CVxmoaA8md6c9bjnCaK2fBxPI82agPBhay1s3HT7pYFHob9WRiE_A76nWwzTvnTOneEaB-KqUcgXx-eamsH4vCJto91neL-AtJdOJo5qoM9TTM/s320/towers.png" width="180" /></a></div>
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This piece will eventually become
the front of a small pouch. The extant example consisted of two panels of
embroidery, front and back, and a lining. The cords used on the extant seem to
be simple twisted cords. Others are <span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">done as a simple fingerloop braid. The tassels
are also done in silk and have some sort of gilt braid over them, which I will
have to look at more closely before I move on to that part of the process.<o:p></o:p></span></div>
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<span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><br /></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;">Sources:</span></b><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin; mso-no-proof: yes;"> </span><b style="mso-bidi-font-weight: normal;"><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><o:p></o:p></span></b></div>
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<span style="background: white; color: black;">"Aumonieres
and Purses from Germany." <i>St Thomas Guild</i>, 27 Nov. 2013, thomasguild.blogspot.ca/<span style="mso-spacerun: yes;"> </span>2013/11/aumonieres-and-purses-from-germany.html.<o:p></o:p></span></div>
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<span style="background: white; color: black;"><br /></span></div>
<div class="MsoNormal" style="line-height: normal; text-align: left;">
<span style="background: white; color: black;">Camille,
Michael. <i>The Medieval Art of Love</i>. New York, Harry N Abrams Inc,
1998.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; text-align: left;">
<span style="background: white; color: black;">McGann,
Tasha. "Aumônières, otherwise known as alms purses." <i>La Cotte
Simple</i>, cottesimple.com/articles/ aumonieres/.<o:p></o:p></span></div>
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<span style="background: white; color: black;"><br /></span></div>
<div class="MsoNormal" style="line-height: normal; text-align: left;">
<span style="background: white; color: black;">Taylor-Davies,
Rose. <i>The Making of Medieval Embroidery</i>, The Victoria and Albert
Museum, 2016, https://www.youtube.com/ watch?v=JgN7osGCf5g<o:p></o:p></span></div>
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<span style="background: white; color: black;"><br /></span></div>
<div class="MsoNormal" style="line-height: normal; text-align: left;">
<span style="background: white; color: black;">"The
Three Living and the Three Dead." <i>The British Library</i>,
blogs.bl.uk/digitisedmanuscripts/2014/ 01/the-three-living-and-the-three-dead.html.</span><span style="mso-no-proof: yes;"> </span><span style="background: white; color: black;"><o:p></o:p></span></div>
Eadyth Woderosehttp://www.blogger.com/profile/09182257260696615323noreply@blogger.com0tag:blogger.com,1999:blog-1614159125224678190.post-7192475830098722072018-02-10T16:15:00.000-08:002018-02-17T16:16:21.697-08:00SCA Business Cards!<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcXgfErl9OZcBzCMf62xBFMccMZhALwJcSpgETSNmiEGFUlzCL7aYKNmyjgsU54FUpsmHLc_zpVFixJY7YdwCvnEoFgdo28Yx9TuFaNaZI1o9iM6I1DeAXTVAr5JBjZ9oYmcsgHtrZGYg/s1600/IMG_9581.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcXgfErl9OZcBzCMf62xBFMccMZhALwJcSpgETSNmiEGFUlzCL7aYKNmyjgsU54FUpsmHLc_zpVFixJY7YdwCvnEoFgdo28Yx9TuFaNaZI1o9iM6I1DeAXTVAr5JBjZ9oYmcsgHtrZGYg/s320/IMG_9581.JPG" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Blurred out my last name ;)</td></tr>
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In the interest of sharing the fun and joy the SCA has brought me and since I am taking on a new, more visible role in my home Barony (more on that later as I get warranted!), I decided to get some business cards for my SCA persona. These will come in handy when I teach a class or when I want to quickly and easily exchange information with someone I've just met. They'll also work well as "calling cards" to say "I was here" or "I appreciated your work." I want to get some small, inexpensive charms to attach as tokens or something to leave at A+S displays.<br />
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Let's talk about the design. I looked at other SCAdian business cards and decided what I liked best. I featured my heraldry and my SCA name front and center since those are the most important. I also included my highest award. If I had any relevant Kingdom awards, I would have included them as well. Anyone with a grant-level or peerage-level award will want to include those on their card.<br />
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Next, I added my location. This is good for networking and helps folks in nearby (or far away) baronies know where you are for networking or guest-teaching purposes.<br />
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I also added a link to this blog (which I am working hard on making relevant and worth of being included on my card!) and my SCA email (which redirects to my main without cluttering up my main account). My Instagram is linked as well, in case anyone wants to follow my more mundane art projects and my beautiful fat orange cat child, Butterbean.<br />
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At the very bottom I have my skills and interests, so folks with similar interests or questions will know what to geek with me about. I love to get my geek on about Arts and Sciences (ok mostly arts).<br />
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Please bring your cards and trade with me at events in the future!!! I would really love to build up a collection of all my favorite people and to meet new people as well!Eadyth Woderosehttp://www.blogger.com/profile/09182257260696615323noreply@blogger.com0tag:blogger.com,1999:blog-1614159125224678190.post-65493735501519742072018-01-24T22:21:00.000-08:002018-02-06T20:15:48.744-08:002018 Events and PlansHere are a list of events I want to attend this year and what I would like to have accomplished by that event.<br />
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<b>A Market Day at Birka</b>, Jan 26-28 - Barony of Stonemarche, East Kingdom (NH)<br />
I have been sponsored to attend Birka as one of HRH Una's dedicated ladies in waiting! I am really excited not only because I have always wanted to attend Birka but because this is my very first East Kingdom event!<br />
<b>Tournament of Ymir</b>, Feb 23-25 - Barony of Windmasters Hill (NC)<br />
My household is attending this event together. We went last year as well and it was unseasonably warm. I would like to have my commission for Lord Pietro finished by this event.<br />
<b>Kingdom Arts and Sciences Festival,</b> March 3 - Barony of Stierbach (VA)<br />
I am attending this with either my Laurel or my Baroness. It's so close by (an hour or so drive) that it's almost impossible not to attend! I have always wanted to go to KASF but the first time I was in England and the second time it was in SC, aka too far for me to travel. I will probably retain for HRH Una again at this event, since she has never judged A&S before and I think I could be helpful to her. I would like to have my new hood and documentation finished by this event so I could display.<br />
<b>Coronation of Dietrich and Una</b>, April 6-8 - Barony of Windmaster's Hill (NC)<br />
Haven't decided with whom I will be attending this event, but I am definitely going. I am really excited to support my friends as they step up as King and Queen of Atlantia! I would like to have some Middle Eastern garb finished in time for this event since HRH want to do a Middle Eastern theme for their reign.<br />
<b>Revenge of the Stitch,</b> April 27-29 - Spiaggia Levantina (MD)<br />
This is sort of a wishlist event for me. I have been asked to be a part of a team by Lady Syele von Dampach to create a suit of garb over the weekend. The plan is to make a really lovely German outfit. I would have to get the Friday off work, however, to get allllll the way up north.<br />
<b>Ruby Joust</b>, May 25-28 - Barony of Caer Mear (VA)<br />
I think technically this event may be taking place in Tir-y-Don, but whatever, its our event! I will be on staff at this event as MoAS. I will be stepping up as Barony MoAS soon and this will be my first event running the A&S displays and contests and coordinating all of that. I would like to have a new Gothic Fitted Gown finished by then since I have the blue one already cut out and partially sewn together, but I also have to help create the site tokens and I would like to have work done on my "boy's clothes" as well...but more on that later!<br />
<b>Summer University</b>, June 16 - Barony of Black Diamond (VA)<br />
University is the best event hands down. I love showing up and learning new things. I would like to have one of the outfits I did not finish in time for Ruby done in time to wear to this event and I would like to teach a class on my square hood and reprise my 14th century hair course- which will be much improved now that I have a better grasp on class size and timing!<br />
<b>Pennsic XLVII</b>, War Week (Aug 3-12) - Aethelmarc (PA)<br />
Obviously Pennsic is one of the highlights of a SCAdian's year. It would be amazing if I could teach a class at Pennsic University and to do waterbearing during the big field battle! I would like to have boy's clothes and more Middle Eastern clothing ready for this event. I also need to get a second job to help pay for the trip! It would be very awesome to be able to take my own vehicle up to the event this year.<br />
<b>Fall University</b>, Sept 15<br />
<b>Fall Coronation</b>, Oct 6<br />
The locations of these events are not announced yet. I would like to go to either or both but it depends on the location. Again, I would like to teach at least one class at University and have at least one item of new garb (even an accessory, since I want to do an embroidery piece sometime this year as well).<br />
<b>War of the Wings</b>, Oct 19-21 - Barony of Sacred Stone (NC)<br />
I didn't get to hit this event last year and it was a huge bummer. This was my first camping event many years ago and it holds a special place in my heart.<br />
<b>Fall Crown</b>, Nov 3<br />
See above...location isn't listed yet so I am not sure if I will attend. The local group has discussed putting in a bid so I may well wind up assisting.<br />
<b>Holiday Faire</b>, Nov 17 - Barony of Stierbach (VA)<br />
This is another event I really like that I hit up every year. Hopefully I will have some disposable income by then because there are always lovely lovely things that I NEED at this event.<br />
<b>Unevent</b>, Dec 1<br />
Another event with no location listed, but an event that as a Baronial officer I will be required to attend. I would like to have a project ready to take along to this event: handsewing or embroidery.<br />
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Looks like a good year to me! Can't wait to get out there!Eadyth Woderosehttp://www.blogger.com/profile/09182257260696615323noreply@blogger.com1tag:blogger.com,1999:blog-1614159125224678190.post-62054238273983172962016-02-22T23:17:00.000-08:002017-12-27T15:22:09.176-08:00My SCA JourneyI first heard about the SCA way back in 2007 or so in my tender impressionable teenage years. I went to a demonstration in Virginia Beach (I later learned that this was the Barony of Marinus) where I was bedazzled by the garb and the shiny armor of the fighters. They kindly invited me to join them, but school and work and lack of transportation got in the way.<br />
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In 2012 or 2013 I rediscovered the SCA through costuming blogs (an obsession of mine...is it any wonder I've started my own?) and in 2013 I contacted my local group and made my first foray into Caer Mear. It was during the reign of Amos and Ysabella, so I was introduced to the Baron and Baroness as well as the King and the Queen all on my first visit to the SCA, which was more than a little overwhelming. I have some social anxiety, so I brought along a friend. Even with that support, I was too nervous to speak to people properly and get to know them. My friend made an instant connection by starting heavy fighting under the tutelage of the excellent fighters of Caer Mear, but its a little harder to sit in a room of friends doing arts and sciences and to make a space for oneself. Eventually I drifted away and stopped going.<br />
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In 2014 I went to my first event on a whim. Two events were happening that day: a Regency picnic at Maymont and Ruby Joust. I wasn't sure which one to pick, but I think I might have made the right choice. I whipped up a simple Bocksten tunic dress in a plum colored linen and paired it with a blue linen Skoldehamn hood (I was very grateful for that hood as the day went on!) that I had made on a whim in a class taught at one of the baronial A&S meetings months and months ago. I made another Bocksten tunic for my boyfriend at the time and away we went to daytrip the event. It was hard to know what to do at the event, but I vaguely recognized some people from practice and they vaguely recognized me so I ended up being able to spin yarn (it is very lumpy but I have it still!) and listen in on a bardic circle to some excellent singers and storytellers. I even attended court, starry-eyed in delight at the pomp and circumstance.<br />
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After that, it was a whirlwind of involvement. I, by happenstance, acquired a SCAdian roommate. Thanks to him, I managed to attend Bacon Wars, was coerced to camp for the first time at War of the Wings (with the excellent Wandering Turnip Farmers), and tasted my first mead.<br />
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In 2015, I decided on a name and a rough persona and became Eadyth Woderose, an English lady of the late 14th century. I also attended five events that year and met incredible new people who became my incredible friends.<br />
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Now, in 2016, I aim to expand on my persona. Who is Eadyth? What does she do? More than that, I want to expand my garb closet and improve my period impression. I currently wear gothic fitted gowns aka GFDs aka bust-supportive cottes made of linen. I want to venture into wool and more economic cutting techniques and hand-bound buttonholes. I want to improve my embroidery. I want to perform in public without being TOO petrified. Who knows what this year has in store?Eadyth Woderosehttp://www.blogger.com/profile/09182257260696615323noreply@blogger.com0